1924 Paul Whiteman Or Musical PARADISE ALLEY/ Where Rainbow Ends VICTOR 19353

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Location: San Francisco, California, United States
Ships to: US,
Item: 126803157788

Condition:UsedUsed
Seller Notes:“Orig Issue Victor Batwing 10″ 78 rpm record VERY GOOD PLUS PLUS unworn some rubs rare fine … Read moreabout the seller notes“Orig Issue Victor Batwing 10″ 78 rpm record VERY GOOD PLUS PLUS unworn some rubs rare fine scratches, plays E EXCEPTIONALLY quiet faintest crackle A GREAT COPY” Read Lessabout the seller notes
Artist:CLICK RIGHT ARROW > FOR CONDITION, Paul Whiteman And His Orchestra, Paul Whiteman
Format:Record
Release Title:Paradise Alley / Where The Rainbow Ends
Material:Shellac
Type:Single
Genre:Soundtracks & Musicals, Comedy, Jazz
Record Label:RCA Victor
Record Size:10″
Style:Animation Score/Soundtrack, Big Band/Swing, Cabaret/Vaudeville, Chanson, Comedy/Novelty Music, Drama, Educational, Field Recording, Film Score/Soundtrack, Interview/Dialogue, Minstrel, Monolog, Musical/Original Cast, Music Hall, Natural Sounds, Poetry, Political/Conscious, Prayers/Sermons, Public Service Announcement, Radio Play/Show, Schlager, Special Effects, Speech, Stand-Up/Sketch, Story, Storytelling, TV Score/Soundtrack, Vocal, Work Song
Speed:78 RPM
Language:English
Catalog Number:19353
UPC:Does Not apply

eBay Shipping: All items will be packed safely in a sturdy package for safe shipping. We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day. INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the “ADD TO CART” button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. A series of great JAZZ Records from early Ragtime to Beb-Bop on 78 rpm Victrola Records From the Musical PARADISE ALLEY Fox Trot by the Paul Whiteman Orch on original BATWING issue: Paul Whiteman And His Orchestra ?– Paradise Alley / Where The Rainbow Ends Label: Victor ?– 19353 A Paradise Alley (From “Paradise Alley”) B Where The Rainbow Ends Written-By – Clifford Grey, Nat Ayer 10″ 78 rpm record Paradise Alley Casino Theatre (Mar 31, 1924 – May 09, 1924) Vanderbilt Theatre (May 10, 1924 – May 24, 1924) DescriptionA musical in two acts SettingParadise Alley, New York City; Piccadilly Theatre, London Produced by Carle Carlton Music by Carle Carlton, Harry Archer and A. Otvos; Book by Charles W. Bell and Edward Clark; Lyrics by Howard Johnson; Orchestra under the direction of John L. McManus Condition: VERY GOOD PLUS PLUS unworn some rubs rare fine scratches, plays E EXCEPTIONALLY quiet faintest crackle A GREAT COPY The members of Whiteman’s Orchestra in 1930 Paul Whiteman and his Orchestra was the most popular band of the 1920s and represented the apex of jazz to the general public. Over the years, critics and some musicians like Eddie Condon, have not had kind words to say about the band and have tended to represent Whiteman as a bad influence on the music in his attempts to “Make a lady out of Jazz”. The title of “The King Of Jazz” which Whiteman was billed as seems somewhat politically incorrect these days, but in the 1920s he dominated the scene and hired the best White hot musicians like Bix Beiderbecke, Frankie Trumbauer, Eddie Lang, Joe Venuti, Jack Teagarden and many more to play in his band. Paul Whiteman greatly enriched American music by commissioning George Gershwin to write Rhapsody In Blue which became his orchestra’s signature tune. He also “discovered” Bing Crosby and featured him in Paul Whiteman’s Rhythm Boys, and gave the career of Hoagy Carmichael a boost, by recording several of Hoagy’s songs early in his career. Jazz singer Mildred Bailey also rose to fame in the orchestra in the 1930s. So, what was it that has led Whiteman’s name to be dragged through the mud in the annals of Jazz history? Paul Whiteman being the most popular Jazz band leader of the Jazz Age is blamed for the racism in America that denied African-American musicians the credit that they deserved in the history of Jazz. If there is such a thing as the “King of Jazz” the title belongs to Louis Armstrong, although that may not have been clear to most people in the 1920s. Whiteman is also criticized for not hiring African-American musicians to play in his band, but this argument ignores the commercial realities of the period. Paul Whiteman was clearly not a racist. He commissioned Duke Ellington to write for his modern music series, recorded with Paul Robeson and Billie Holiday, and hired Don Redman as an arranger in the 1930s and was generally held in high regards as a person by musicians both Black and White. The worst that can be leveled at Whiteman was that he was a businessman. Despite that, Whiteman made some very good Jazz records in the 1920s such as San, Washboard Blues, Mississippi Mud, Whiteman Stomp, Wang Wang Blues and I’m Coming, Virginia. His interest in making symphonic Jazz led the way for generations of Jazz musicians as diverse as Miles Davis, Gil Evans, The Modern Jazz Quartet and Winton Marsalis, who may not directly cite Whiteman as an influence, but have certainly walked down the path that he blazed at points in their careers. More Great Records on sale right now: CLICK ON THIS LINK TO SEE MORE GREAT RECORDS CLICK ON THIS LINK TO SEE ALL ITEMS – VINTAGE BOOKS, VICTROLA and TURNTABLE ITEMS, CDs, Books and DVDs http://shop.ebay.com/carsten_sf/m.html ==== A Quick NOTE ON GRADING AND SHIPPING: As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS. If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING. Quick note on grading: The Grade (Excellent to Poor, I don’t give Mint) refers to the WEAR of the record. Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise. “EXCEPTIONALLY QUIET” is close to noiseless, like a vinyl pressing. “VERY QUIET” is an above average quiet record for a given pressing. “Quiet” is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don’t like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit’s eCommerce Solution

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