1980 OLD VINTAGE Jack Rudy Traditional Tattoo Flash Production Sheet, Viking

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Jack Rudy:Jack Rudy
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1989 Jack Rudy, Black And White Tattoo Production Flash Sheet. OLD COPY. THIS IS A VINTAGE, SHOP USED COPY, NOT A NEW REPRODUCTION. This was acquired from a collection I obtained from “Fresno Tattoo Co., Fresno, CA. READY FOR DISPLAY IN YOUR TATTOO SHOP, ART COLLECTION, OR TATTOO MUSEUM!!!!!!! 11×14” (Inch APPROXIMATELY). This is a vintage SHOP USED Item, it may be any or all of the following, Yellowing, torn, wrinkled, holes, smell of smoke or mildew, ect. Please see pictures for condition. Old School, Vintage Style Tattoo Flash. Pictured on this Tattoo Flash Sheet are various designs including, Viking, Skull, ECT. 1 TATTOO OUT OF THIS LOT WILL PAY FOR THE ENTIRE SET! These Designs are Vintage 1980’s but still very relevant today! Great Money Makers! This is a great book of Artwork to display in your shop. Line work for this sheet IS NOT included. This is a great investment for any Tattoo Shop! Will Ship Flat, Priority Mail. I WILL COMBINE SHIPPING ON MULTIPLE ITEMS! Jack Rudy is an American tattoo artist notable for his reinvention of the ‘Black and Gray’ style of tattooing, realistic portraits, and single-needle use. He is considered to be one of the top tattoo artists in the world. Career After leaving the Marines in 1975, Rudy began his career as an apprentice at Goodtime Charlie’s Tattooland, in East Los Angeles. Under the watch of Charlie Cartwright, a friend of his he had met while visiting the Old Long Beach pike while on leave from the USMC Logistics Base in Barstow CA, Rudy and Cartwright began to hone their craft of single-needle, Black and Gray style tattoos. Simultaneously creating a whole new subgenre of modern tattooing and raising the proverbial bar for many new emerging tattoo artists and artists in general. His very distinct and distinguishable style is renowned for its masterful use of light and dark shades of varying degrees of black and grey. In addition to creating a softer and more realistic style of tattooing, with the advent of the new single needle tattoo technology artists were now able to use a much greater level of detail than previously attainable utilizing older and more readily accepted tattoo machine and needle configurations. As the client base of East Los Angeles began requesting this ‘penitentiary-style’, the pair decided to create a single-needle configured tattoo machine. Rudy is currently the president of the Beatnik’s Car Club – a car club which requires the members to own 50s-styled hot rods and ‘lots of tattoos’. He is the owner of Tattooland, an ‘old school’ street shop, located in Anaheim, California. From Wikipedia, the free encyclopedia “Death before dishonor” flash circa 1940 Tattoo flash is any tattoo design that is pre-prepared for customers to avoid the need for custom designs, or as a starting point for custom work. Tattoo flash was designed for rapid tattooing and used in “street shops”—tattoo shops that handle a large volume of standardized tattoos for walk-in customers. Pieces of flash are traditionally drawn or printed on paper, and displayed for walk-in customers in binders or on the walls of tattoo shops. In the 21st century they may also be advertised online and on social media. HistorySee also: History of tattooing The term “flash” is derived from the traveling carnival and circus trade in the late 1800s: an attraction needed to be eye-catching to draw in the crowd, and that visual appeal was called flash. Tattoo artists working at those carnivals would hang up their designs in front of their booths to catch people’s attention, so they adopted “flash” as a term for this artwork. Traveling tattoo artists developed sketchbooks of designs that were easy to transport and show to potential customers. The development of electric tattoo machines in the 1890s enabled faster and more precise tattooing. More tattoo artists started to work from shops as a full-time profession.To fulfill increased demand for tattoos, especially sailor tattoos, artists bought and sold sets of pre-drawn designs. These “flash” designs were on larger sheets of paper than sketchbook pages, intended to be framed and hung on walls. Many of these designs were relatively simple — with black outlines, limited colors, and limited shading — to enable quick work. Skilled professional tattoo artists sold flash to other artists, who were seeking out quality designs to advertise to potential customers. This process of selling and buying attractive sets of designs helped shape American traditional tattooing into a more consistent genre. Many common flash designs are still in this “old school” style. For example, Lew Alberts (1880–1954), known as Lew the Jew, was a prolific tattoo artist who created and sold many sheets of tattoo patterns. In 2009, a scholar wrote that a large amount of the conventional designs on the walls of contemporary shops were based on designs by Alberts. In the 1980s there was a shift in iconography from badge-like images based on flash to customized large tattoos influenced by Polynesian and Japanese tattoo art, such as sleeves. By the year 2000, most tattoo studios had become custom shops, with the flash serving largely as a reference for ideas. Most tattoo designs are created by the tattoo artist developing an idea brought in by the customer. Materials Flash is either drawn by the individual tattooist for display and use in their own studio, or traded and sold among other tattooists. Hand-drawn, local tattoo flash has been largely replaced by professional “flash artists” who produce prints of copyrighted flash to sell at conventions or through the Internet. There is no standard size for tattoo flash, but it is most commonly found on 11×14 inch prints in North America. Tattoo flash may come with an outline, also known as a line drawing, printed on a separate sheet, so that tattoo artists do not need to draw the linework themselves.

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1980 OLD VINTAGE Jack Rudy Traditional Tattoo Flash Production Sheet, Viking

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