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Item: 134993989850
All returns accepted:ReturnsNotAccepted
Convention/Event:San Diego Comic Con
Unit of Sale:Mixed Lot
Variant Type:INSERT REFRACTORS
Signed By:DOES NOT APPLY
Tradition:US Comics
Vintage:Yes
Format:Single Issue
Unit Type:Unit
Language:English
Superhero Team:Wild C.A.T.S.
Personalized:No
Style:Color
Features:REFRACTORS INSERTS
Unit Quantity:1
Artist/Writer:see description
Character:Void,EMP,Destine,&Tapestry
Cover Artist:See Description
Signed:No
Series Title:1994 Wildstorm Wild C.A.T.S.
Universe:Wildstorm
Publisher:see descrpition
Inscribed:No
Intended Audience:General Audience
Story Title:Altitude
Publication Year:1994
Type:Insert Refractor Cards
Issue Number:#P7,#P8,#P9,#10
Era:Modern Age (1992-Now)
Genre:Action
Country/Region of Manufacture:United States
1994 WILDSTORM WILD C.A.T.S. REFRACTOR INSERTS VOID#P7,EMP#P8,DESTINE#P9,AND TAPESTRY#P10! THEY MAY BE MINT OR BETTER CONDITION SINCE THEY CAME FROM PACKS INTO TOPLOADERS! Wildstorm Productions (stylized as WildStorm) is an American comic book imprint. Originally founded as an independent company established by Jim Lee under the name “Aegis Entertainment” and expanded in subsequent years by other creators, Wildstorm became a publishing imprint of DC Comics in 1998.[1] Until it was shut down in 2010, the Wildstorm imprint remained editorially separate from DC Comics, with its main studio located in California. The imprint took its name from a portmanteau of the titles of the Jim Lee comic series WildC.A.T.S. and Stormwatch.[2] Its main fictional universe, the Wildstorm Universe, featured costumed heroes. Wildstorm maintained a number of its core titles from its early period, and continued to publish material expanding its core universe. Its main titles included WildC.A.T.S, Stormwatch, Gen¹³, Wetworks, and The Authority; it also produced single-character-oriented series like Deathblow and Midnighter, and published secondary titles like Welcome to Tranquility. Wildstorm also published creator-owned material, and licensed properties from other companies, covering a wide variety of genres. Its creator-owned titles included Red Menace, A God Somewhere, and Ex Machina, while its licensed titles included Friday the 13th, A Nightmare on Elm Street, The Texas Chainsaw Massacre, StarCraft, the Dante’s Inferno game, The X-Files, and the God of War video game series. DC shut down the Wildstorm imprint in December 2010.[3] In September 2011, the company relaunched its entire superhero line with a rebooted continuity in an initiative known as The New 52, which included Wildstorm characters incorporated into that continuity with its long-standing DC characters. In February 2017 Wildstorm was revived as a standalone universe with The Wild Storm, by writer Warren Ellis. However, the characters were reintroduced to DC continuity in 2021.[4] History Image Comics (1992–1997) Wildstorm, founded by Jim Lee and Brandon Choi,[5] was one of the founding studios that formed Image Comics in 1992. Image grew out of Homage Studios and was founded by artists Whilce Portacio, Jim Lee, Erik Larsen, Rob Liefeld, Todd McFarlane, Marc Silvestri, and Jim Valentino in San Diego, California. All but Portacio decided to become full partners in the new firm.[6] At the time, Lee and Portacio were recognized for their work on various X-Men titles at Marvel Comics. In late 1992, penciller Marc Silvestri joined the studio to work on the first issue of Cyberforce. Although he worked at the studio, his projects would debut as the work of a new Image “partner studio” firm named Top Cow.[6] Silvestri continued to work out of Wildstorm’s studio for about two years.[citation needed] Although WildStorm considered attracting talent, such as John Romita Jr., from the “Big Two”, (Marvel and DC), Lee decided to find new talent instead.[citation needed] Lee’s talent search yielded Brett Booth in 1992, and J. Scott Campbell in 1993.[citation needed] Apart from McFarlane’s Spawn, Wildstorm produced the most consistently, commercially successful comics from Image. These included Lee’s own titles WildC.A.T.s and the teen-hero title Gen¹³, illustrated by J. Scott Campbell.[citation needed] Like many other Image titles, some of the WildStorm titles suffered from inconsistent completion and shipping, resulting in “monthly” comics coming out every few months.[citation needed] This era produced a number of titles of varying popularity including Gen¹³, WildC.A.T.s, Stormwatch, Deathblow, Cybernary, and Whilce Portacio’s Wetworks. In late 1993, Lee launched Wildstorm Productions as a sub-imprint of Image. He explained: “During the startup of Image Comics, I incorporated my business activities under the name Aegis Entertainment. As Aegis grew and the marketplace changed, I decided a new name would more accurately define the nature of the titles we produce”. In conjunction with the name change, former DC editor Bill Kaplan was brought in to oversee production and scheduling, in an effort to combat the studio’s problems with erratic publication schedules.[7] His attempts to get the studio’s characters into other media proved disappointing. A Saturday morning cartoon series of WildC.A.T.s lasted only a single season (1994–1995), while a full-length animated version of Gen¹³ was produced but never released in the United States. Disney had acquired the domestic distribution rights, but shelved the product. Paramount had international distribution rights, and later released the film only in a few foreign markets.[8] Toys from both titles were less successful than those made by Todd McFarlane, partly due to poor marketing and partly because the McFarlane toys were targeted at a more mature audience.[citation needed] However, they had a big success copying Wizards of the Coast’s Magic: The Gathering with their introduction of the card game, Wildstorms: The Expandable Super-Hero Card Game produced between 1995 – 1997,[9] which was later spun off into a crossover set of cards with Marvel. The crossover was the swan song for the Wildstorm game as Marvel’s merchandising clout succeeded in pushing Wildstorm’s out of the spotlight.[citation needed] Although the timing was right for their card game, they were too early by a year with a Pog game which used the WildC.A.T.s characters they released in 1993.[citation needed] In 1995, Wildstorm created an imprint called Homage Comics, centered on more writer-driven books.[citation needed] The imprint started with Kurt Busiek’s Astro City and The Wizard’s Tale, James Robinson’s Leave It to Chance (with Paul Smith), and Terry Moore’s Strangers In Paradise. Subsequently, the imprint featured works by Sam Kieth, including The Maxx, Zero Girl and Four Women, three of Warren Ellis’ pop-comics mini-series, Mek, Red, and Reload, and Jeff Mariotte’s weird western Desperadoes. In 1997, Cliffhanger debuted a line of creator-owned comic books which included such popular works as: J. Scott Campbell’s Danger Girl, Joe Madureira’s Battle Chasers, Humberto Ramos’ Crimson and Out There, Joe Kelly and Chris Bachalo’s Steampunk, Kurt Busiek and Carlos Pacheco’s Arrowsmith, Busiek’s Astro City and Warren Ellis’s Two-Step and Tokyo Storm Warning. 1997 also saw a revamp of all the Wildstorm Universe titles, including comic-books by writers such as: Alan Moore, Warren Ellis, Adam Warren, Sean Phillips, and Joe Casey. After this revamp the new Wildcats series, Stormwatch and DV8 took the places of the most popular and most commercially successful comics of the Wildstorm Universe.[citation needed] Wildstorm also made a presentation to Lucasfilm Ltd. in an attempt to obtain a license for the lucrative Star Wars license,[10] but lost to the incumbent Dark Horse Comics. DC Comics first run (1998–2010) This section provides insufficient context for those unfamiliar with the subject. Please help improve the article by providing more context for the reader. (February 2016) (Learn how and when to remove this template message) Due to declining sales across the U.S. comics industry, and his view that his role as publisher and growing family demands interfered with his role as an artist, Lee left Image Comics and sold WildStorm to DC Comics in late 1998,[11][12] enabling him to focus once again on art.[1][13] The deal went into effect in January 1999.[14] DC hailed the decision as one that would “strengthen both WildStorm’s ability to expand its editorial goals and diversifying DC’s output”.[15] WildStorm was editorially separate from DC Comics, and the two companies maintained offices on opposite coasts: Wildstorm in California, and DC in New York City. DC’s acquisition of WildStorm allowed their respective universes to co-exist, and characters from either universe could appear in the titles of either imprint.[citation needed] In 1999, WildStorm launched several new titles, including The Authority, a dark and violent superhero comic whose characters fought dirty and had little regard for the rights and lives of their opponents; their only goal was to make the world a better place. Warren Ellis created The Authority as a successor to Stormwatch. He wrote its first twelve issues before handing the series over to Mark Millar. The Authority fused Silver Age superhero concepts with 1990s cynicism. In the 2004 Wildstorm crossover, Coup d’etat, the Authority takes control of the United States. Ellis and artist John Cassaday created Planetary, about “explorers of the strange”, an experiment that merged pop culture, comic book history and literary characters.[citation needed] WildStorm launched a new imprint titled America’s Best Comics as a showcase for Alan Moore. The line includes the titles Promethea, The League of Extraordinary Gentlemen, Tomorrow Stories, Tom Strong and Top 10.[citation needed] The studio launched Eye of the Storm in 2001 as an experiment.[further explanation needed] By this time, WildStorm had become largely a “mature readers” imprint. Joe Casey continued writing Wildcats, retitling it Wildcats 3.0 to reflect the shift in tone. The new version was penciled by Dustin Nguyen with inks by Richard Friend. Gen¹³ was relaunched with a new first issue, written by X-Men’s Chris Claremont. A Gen¹³ spinoff, 21 Down, was written by Jimmy Palmiotti and Justin Gray. After the Point Blank mini-series, Ed Brubaker developed the same themes into the critically acclaimed Sleeper,[16] set in the WildStorm universe.[citation needed] In 2001 Warren Ellis began Global Frequency. The rights for Global Frequency were bought by Warner Bros. in 2004 and a pilot for a TV series for the WB Network was made. The pilot never aired and was not picked up as a series, although the pilot was later leaked on the internet.[17] Stormwatch was relaunched as Stormwatch: Team Achilles, about a team of normal soldiers who combat rogue superheroes. Robbie Morrison wrote a one-shot featuring the Authority characters, titled “Scorched Earth” (2003).[18] It was serialized as a back-up story in the Eye of the Storm titles. A new ongoing Authority series began the storyline of the Coup d’état crossover, which ran through Authority, Sleeper, Stormwatch: Team Achilles and Wildcats 3.0. Two Winter Special anthologies also came out.[further explanation needed] Most of the line, except Sleeper, were canceled two years after their introduction.[citation needed] In 2004, WildStorm revamped its array of sub-imprints. The core titles were grouped into the “WildStorm Universe” imprint, the creator-owned properties became the “WildStorm Signature Series” imprint, and all the licensed properties remained under the “WildStorm” imprint.[citation needed] Following Eye of the Storm, WildStorm published fewer WildStorm Universe titles, including Majestic and Wildcats: Nemesis; Majestic was based on a character that had appeared in DC Comics Superman titles. In August 2006, WildStorm simplified its “brand” by returning all content to a single WildStorm imprint, and discarding the “Universe” and “Signature Series” imprints. In 2007, the WildStorm fictional universe became “Earth-50”, part of the DC Comics Multiverse.[citation needed] In April 2008, Ben Abernathy announced that the events of Wildstorm: Revelations, Wildstorm: Armageddon and Number of the Beast would segue into Wildstorm: World’s End, a post-apocalyptic direction for the line.[19] In July of the same year, Christos Gage and Neil Googe published a new WildCats: World’s End #1. There followed, in August 2008, a new Authority: World’s End #1 by Dan Abnett and Andy Lanning with art by Simon Coleby, Gen¹³ #21 by Scott Beatty with art by Mike Huddleson, and Stormwatch: PHD #13 by Ian Edginton with art by Leandro Fernández and Francisco Paronzini. That same year, DC releaseld the crossover limited series DC/Wildstorm: DreamWar one of the earliest times where DC and WildStorm characters would appear together. The six-issue comic book limited series was written by Keith Giffen, drawn by Lee Garbett, and published by DC Comics.[citation needed] The Stormwatch: PHD title ended in November 2009. The remaining series each received another creative-team shake-up as 2010 began: February’s The Authority #18 by Marc Bernardin and Adam Freeman with art by Al Barrionuevo, Wildcats #19 by Adam Beechen with art by Tim Seeley and Ryan Winn, and April’s Gen¹³ #35 by Phil Hester and art by Cruddie Torian.[citation needed] WildStorm varied its publishing with licensed properties, such as: A Nightmare on Elm Street, Friday the 13th, The Texas Chainsaw Massacre, Mirror’s Edge, World of Warcraft, The X-Files, Dante’s Inferno, and God of War. WildStorm has also published original graphic novels from writers Kevin J. Anderson, John Ridley and David Brin.[citation needed] The imprint was shut down in December 2010, with Wildcats (vol. 5) #30 as its last issue, although DC Comics announced that the characters would reappear some time in the future.[3][20] DC Comics relaunched its DC Universe imprint in September 2011, which included the integration of the WildStorm characters into the DC Universe. The initial wave of relaunched titles included: Voodoo and Grifter solo series, a revived Stormwatch title featuring Jack Hawksmoor, Midnighter, Apollo, the Engineer, and Jenny Quantum,[21][22][23] and a revived version of Team 7 with non-WildStorm characters Deathstroke, Amanda Waller and Black Canary. The Teen Titans spin-off title The Ravagers featured Caitlin Fairchild and Warblade as part of the cast,[24][25] while WildC.A.T.s villain Helspont appeared in Superman #7 and #8,[26][27] Grunge appeared in Superboy #8,[28] Zealot appeared in Deathstroke #9,[29] and Spartan appeared in Team 7 #5. [30] Midnighter was a recurring character in Grayson, before spinning off into his own ongoing series. Midnighter and Apollo also appeared in a 6-issue miniseries, Midnighter and Apollo. DC Comics revival (2017–present) On February 16, 2017, Wildstorm was officially revived with The Wild Storm #1 by Warren Ellis and Jon Davis-Hunt, a 24 issue series that re-imagined the Wildstorm Universe. On October 11, 2017, Wildstorm launched a second series under The Wild Storm banner with the 12 issue mini-series The Wild Storm: Michael Cray by Bryan Hill. Following the conclusion of The Wild Storm DC Comics announced that a new Wildcats six issue mini-series was to debut August 28, 2019, again penned by Ellis with art by Ramon Villalobos, but was cancelled in 2019.[31][32] Grifter, Apollo, and The Midnighter appeared in the alternate future timeline series Future State: Dark Detective in 2021.[33] The Wildstorm characters were then officially reintroduced into DC Universe continuity later that year in Batman: Urban Legends #5[34] and Superman and The Authority.[35][36] The new Authority team then appeared as supporting characters in the Superman crossover story arc Warworld Saga.[37] A 12 issue WildC.A.T.S series by Matthew Rosenberg and Stephen Segovia ran from 2022 to 2023.[38][39] The 2023 series Birds of Prey features WildC.A.T.S member Zealot, and the new Outsiders series relaunches the Wildstorm title Planetary with a new version of the character The Drummer as well as the Authority’s sentient home The Carrier.[39][40] The 2023 DC Black Label mini-series Waller vs. Wildstorm featured Wildstorm characters such as Team 7 and Stormwatch.[41] In 2023, James Gunn of DC Studios announced that a film based on The Authority was in development and would help form the basis of the new DCU.[42] In November 2023, María Gabriela De Faría was cast to play The Engineer, a member of The Authority, in the forthcoming Superman film ahead of The Authority film.[43] Item Condition/Details – Please Read PLEASE NOTE: Any notable flaws or damage putting them outside the condition stated in this listing will be noted. Please use photos provided for your own assessment. Graded card cases my come chipped, scratched and scuffed. I do not offer partial refunds or returns because of the case condition. ***PLEASE NOTE THAT ALL SALES ARE FINAL, AND RETURNS ARE NOT ACCEPTED. SEE PHOTOS PROVIDED OF EACH ITEM PRIOR TO BIDDING, AND NOTE THAT PER ITEM DESCRIPTION CARDS MAY HAVE FLAWS AND ARE NOT GUARANTEED TO MEET A CERTAIN CONDITION*** Once you receive your order, if you do have any issues or questions, please contact us via message on eBay and we will reply within one business day to work with you to resolve the issue. Condition is noted as used – cards can have any number of issues that do not detract from the overall look of the image on the card. These issues can include scratches/surface wear, and flaws on edges and corners. See photos provided for centering condition as well as to make your own assessment of card condition. If you were not able to get your question answered from the information provided in this listing, please feel free to message us. We respond to messages within 1 business day and will make every effort to answer as quickly as possible and assist you. BEING OFFERED BY NANNY’S CLOSET-CHECK OUT MORE GREAT DEALS ONLINE AT NANNYSCLOSETBESTDEALS! CHECK OUT MY STORE FOR MORE NEW LISTINGS DAILY…… LIQUIDATION OF ENTIRE COLLECTION……. EVERYTHING MUST GO!!!!!!!!!!! WITH A LOW BUY IT NOW PRICE $29.99!!!!!!OR MAKE ME AN OFFER!! BUYER WILL PAY $6.99 FOR SHIPPING AND HANDLING ON THIS ITEM. ONLY PAY AN ADDITIONAL $1.99 IN S&H FEES FOR EACH ADDITIONAL GRADED CARD IF PURCHASED THREE BUSINESS DAYS APART. THE FASTER YOU PAY THE FASTER I SHIP. PAYMENT US EXPECTED WITHIN 3 DAYS FROM THE END OF THE AUCTION. IF PAYMENT IS NOT RECEIVED WITHIN 3 DAYS, I WILL RELIST ITEM AND NOTIFY EBAY.I AM A STRONG BELIEVER IN LEAVING POSITIVE FEED BACK FOR EACH TRANSACTION. I WILL LEAVE FEEDBACK AS SOON AS YOU LEAVE YOURS. 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